mercoledì 14 gennaio 2009

EPISODE 4 : WHY PAUL DELVAUX?









I should present the work of Delvaux simply describing it as: the synthesis.
especially in the method he use for the construction of his image , he is able to resume the concept of time, memory and perception.
This process defined by the critic Jean Clair: Membra Disjecta, starts from a little fragment not to create a discourse but to put new basis for the future, to use the reference directly as a part of his future view.
His language has the structure of the unconsciousness, his way of painting is mythological because of the repetition of gestures and have to do with the personal and archaeological time because of his relation with past.
In Delvaux the past is a strange disquieting and heritage witch is able to menace and rescue.

Delvaux is completely inside the history .his stories his way of telling are in the history there are past, present and future at the same time.
There is familiarity and inquietude, there are traditions and innovations at the same time
is the representation of realty, of real .Not of beauty or ugly not good or bad just a personal point of view.


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